Take a picture… or just a minute.

Hi ~ Erin blessing everyone with another blog

I find myself looking at life from a creative perspective everyday. I am a visual person who would much rather look through a picture book than read a novel. That’s probably why I enjoy taking so many pictures and that’s why I’m adding a few to this blog.

I usually have my camera with me and in this digital world I figure if you have enough memory and battery power what have you got to loose? I’ll snap away, download and sometimes find some very…

interesting textures and details…

different perspectives and shapes…

or cool lighting effects…

Stop yourself on occasion and enjoy the view, wherever you are. The simplest things in life can be the most interesting when you take a minute. You don’t have to take a picture, just slow down and take a look.

Could a “Squinch” be Right for You?

Doreen here…recently I was asked to do some measuring for a “squinch” analysis for a client. Here are just a few things that I learned along the way.

 As a cataloger, effective product analysis is one of the most important tools you can use to measure your merchandising efforts.

 Sometimes buyers rely on emotions and gut feelings when choosing merchandise for their catalogs. A certain product just “feels” right. This method of choosing products may work for a while if you are just starting out and have a small catalog with a very select audience. However, most marketing experts would agree that some sort of quantitative analysis is the best way to target your winners and therefore give your audience the products they are looking for.

 One method of sorting out the top performers from the so-so sellers is to perform a square-inch analysis, also known as “squinch”. This method reveals the cold hard facts–it  evaluates each item by showing how much it cost, the actual selling price, units sold, total sales, cost of goods, gross margin, cost of catalog space and how much the product contributes to overhead, fulfillment and profit.

I found that allocating space on a fractional basis, say 1/8 of a page works out well.

 Simply stated, the productivity of each item is determined by taking the entire cost of producing the catalog divided by the number of pages, divided by the amount of space each product occupies on the page.

 By measuring the amount of space each item takes up on a page, and comparing it to other items on that page you can determine which items are the most profitable and decide to either give less profitable items less space, or to eliminate them altogether.

This information can be very valuable to merchandising staff as well as creative staff when determining product offerings and space allocations for future catalogs. 

Being Creative in Every Day

David here…I tend to find myself looking at my work as a Designer as more of a job than a career or especially even a passion anymore. My guess is it’s from years and years of doing the same thing. I think even the most creative people feel stagnant at times. Sometimes we just go through the paces during the day to get done what needs to get done. In my experience, the stress of family and especially children really add to this creative burnout.

I’ve come to find though, that my kids can sometimes be the best inspiration for me. Really, as much as some of us might hate Hannah Montana, High School Musical or even the dreaded Barney, there is a lot to be said for the media and consumer blitz that these entities generate. In a way, it’s good to see what other designers are doing to create buzz and to get noticed with the younger generation that’s out there. Most of my work isn’t geared toward the younger set, so it can be interesting to see how others are going about reaching them. The current trends seem to be a use of vibrant colors and a flashback to the early 80s using big type and geometric shapes. I try to take it all in. You never know, being marketed to as if we were 15 again may be just what we, the older generation needs.

This is one example of creative inspiration in my life, but there are so many more. Simply observing the way light reflects off of a lake while you are fishing, the contrast of the green moss next to the stem of a mushroom, the countless number of billboards on your morning commute, maybe even the logo on the coffee cup you are drinking from. It’s all there in front of us, every day. Now, it’s up to us to see the mundane as something new, something special and maybe even an idea we use to spark some creativity in our own careers.

What inspires you?

The Perfect Print Ready File

Barb here…As Production Manager for Custom Direct, my department prides itself on delivering perfect print ready files. Every printer we have dealt with has complimented our files, even newer printers we are using on our client’s behalf praise our files. My question to them is, as applications have advanced and processes have changed, why are you still getting bad files? So to better help you prepare your files, be they for your advertising/design agency or the printer, here are some ways to get perfect print ready files.

1. Convert all images to CMYK. Most printing presses run using CMYK inks. Because RGB has a wider spectrum of color, if you convert your images early on, you won’t be surprised at color quality when the images become CMYK at the print end.
2. Convert all colors to process. Unless you are specifically printing with a pantone color, or multiple pantones, make sure you convert your colors to process to eliminate any guesswork on the print end.
3. Make sure all images are at least 300dpi. To ensure the best quality for your brochure, catalog or whatever type of printed piece you are using, Hires images are an absolute necessity.
4. If you are using InDesign and packaging the files, or Quark and collecting the files, make sure that all components are included. Double check this. Many times we have received files where fonts are missing or a linked image is missing. The same also applies to Illustrator files.
5. If you are delivering a locked PDF to your printer (either PDFX1-A or ripped specifically for the printer using their specifications) make sure that it has been set up properly.
6. Most importantly, Communicate. If you don’t understand what it is that the printer or agency wants, ask questions. If they are anything like us, they will be more than willing to help educate you, so you can set up perfect files and not incur any additional costs

Good Luck in creating your next Perfect Print Ready File!

Dr. Ruth, children’s books and fine art…

Geoff here… with a recap of 4 days spent in semi-sunny southern California at BookExpo America, North America’s largest book fair, which combines the largest selection of English language titles on the planet with special industry and author events, all designed to entice the few remaining booksellers left to buy a book.

BEA is open only to booksellers, publishers, authors, illustrators and agents. As a trade show, it’s pretty good – in the swag department, with most major publishers handing out pre-release copies of their upcoming books, plus you get the chance to stand next to William Shatner at the hot dog stand or get an autograph from Dr. Ruth (Yes… THAT Dr. Ruth).

I traveled to BEA to work in the booth of Cartoonists Across America, a loose-knit organization of artists traveling the world for more than 20 years using cartoons, humor and music to promote literacy and arts advocacy.

Custom Direct’s new fine art company, The Checkered Giant, is the exclusive publisher of Giclee prints for CAA and their founder/artist, Phil Yeh. While Phil met with potential publishers for his books, Steve the Dog and The Winged Tiger and The Winged Tiger in China, I showcased several of the illustrations from the books, which The Checkered Giant had printed for a gallery show in Long Beach.

Children’s book artwork, as collectible originals and prints, is a fast-growing market. Fans of the genre include George Lucas, of Star Wars fame, an avid collector of the work. Museums such as Oakland California’s Museum of Children’s Art and The Santa Barbara Museum of Art have extremely popular exhibitions of picture book art.

In addition to promoting his art, in the context of best-selling books, Phil’s work is being exhibited in a gallery showing at Artistic Edge in Long Beach, California. The gallery opening, which took place Saturday, May 31st, was a great success; more than 150 people showed up to view, peruse and purchase Phil’s artwork and books. The Checkered Giant prints, of Phil’s original digital artwork and watercolor paintings, were very well received.

So what does Dr. Ruth have to do with children’s books and fine art? Nothing, really… but her notoriety, and that of many other artists, writers and celebrities, helps to bring awareness to Phil Yeh and his mission with Cartoonists Across America. Dr. Ruth is a long-time fan of Phil’s and made a special effort to come to the booth at the BEA show, and sign Phil’s guitar – a special guitar autographed by many famous comic book and children’s book artists and authors – which will be auctioned off in 2009 to benefit literacy. Like Dr. Ruth, others at the show were glad to help and add their autograph to the guitar, including Cheech Marin, Tommy Chong and Max Allen Collins (author of Road to Perdition).

While Phil Yeh’s artwork, books, murals and message have been met with resounding success over the years, it still takes something different to break through the clutter and get your message out there.

Max Allen Collins signs Phil Yeh’s Guitar for Literacy

Several of Phil Yeh’s paintings

BookExpo America Booth

Artistic Edge Gallery in Long Beach, California

Dr. Ruth and Phil Yeh

A Phil Yeh original and a print from The Checkered Giant